06/11/2015 14:00 Veletržní palác (Praha)
přidal umlaut
has had a decisive impact on the production and dissemination of art
imagery. While there has been a lot of talk over the last five years
of art ‘after the internet’, that is, of artexisting in the cultural
milieu that takes online access as a matter of course, the effects of
this condition on art criticism have been just as dramatic, if less
discussed. The privileged places of art-critical exposure – catalogue
essay, curatorial remarks, broadsheet review, glossy art magazine
article, academic research paper, art-historical monograph, and their
online versions – have been challenged by new means of accessing the
art-critical discourse (‘joining the debate’): blog entry, tweet,
youtube video, facebook status/comment. Our conference wants to
investigate the recent configuration of forces and voices within art
criticism.
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